New 12” Release

 

Listen to a sample by clicking on the titles below….

 

1. Global Beats  

2.  Neh  

3.  WBE    

 

 

 

Press and Reviews for ECT – Global Beats (Attic)


DJ Comments;

“Play it at Guarana, Ibiza” Fred Everything

“Play it at Space new terrace” Jose De Divina (Space, Ibiza)

“Ideal for late night play at Kanya, a definite grower!” Curtis Randles (Kanya and Garlands Ibiza)

“Very interesting track, I like the mix” Bruno (Café Del Mar, Ibiza)

“Perfect for my deepest sets” Franco De Mulero (Plug Promotions, Ibiza)

“I Like it, perfect for my afterhours set” Cesar De Mulero ( People from Ibiza)

“Works very well on my radio show” Spider (Radio Flaix FM Mallorca)

“Perfect for my deeper sets” Victo Perez (Contrasena recs, Valencia)

“I will review this” Jose Luis Martin (DJ 1 Magazine, Barcelona)

“Perfect to warm up to” Annemiek (CDLC Barcelona)

“Imagine sitting in a field dancing with your Wellingtons and about a 1000 other jumper wearing happy souls”  David Kalucy (Dostres Radio Barcelona)

“Play it at Space” Oscar Colorado (Space, Ibiza)

“Really good” Javier Carrasco (Grass and Scratch records, Malaga)

“Excellent, a label that has clearly got their direction sorted”  Andy Morris (KISS FM)

“Well produced deep house music”   Steve Smart (KISS FM)

“I love this track and that is why I made it tune of the week”  Paul Mendez (BEAT 106)

“Strong deep houser, really like it.”  Ashley Beedle (X Press 2)

“Really like this, moody and atmospheric”  Danny Rampling

“Perfect for early on. Good release”  Dave Seaman

“Good to see a new label championing quality deep house”  Gordon Kaye

“Like it, good track”  Hernan Catteneo

“Hey another cool record nice beats works well”  Mick Wilson (Parks & Wilson)

“Good!”  Nick Warren

“Like the beats, warm groove to it, very good”  Rui Da Silva

“Nice 3 track ep”  Alan Dobson (Progression)

“Crisp beats, a tribal hint and inspired old school progressive melodies”  Ashley Casselle

“High quality stuff mate...he can rest easy I reckon!”  Barry Gilbey (Choo Choo)

“Like this, deep house at it’s finest”  Lisa German (Renaissance)

“Like it”  Mark Wilkinson (Problem Kids)

“Really like this release, nice to see deep house being pushed”  Paolo Mojo

“Global Beats is a wicked deep houser but with balls”  Steve Parry (3 Beat Records)

“Very good first release - instantly hooked”  Desyn Masiello (Yoshtoshi)

“Like chocolate, dark & sweet”  Mike Monday

“Very hypnotic and melodic house music”  Russ Morgan  (K-Klass)

“good Release” Murray Richardson (Low Pressings, 20:20 vision) 

“Really nice stuff. A solid three tracker”  Bobby M (Hooj)

“Will play out”  Gee Moore

“Nice!”  Stacy Kidd

“Tribally house with a great erie hook.”  Greg Benz (CHRW 94.7fm Canada, Club 246.com)
” Very good”   Soulsauce   (DOWNSHIFTRADIO.COM)

“Love that bassline”  Emily Clark (House & Disorder SYN FM 90.7 Melbourne)

“Played on show”   Funkhaus Europa, (WDR, Germany)

“Wicked start to a wicked label” Liquid Djs

“Well into the a side, will play out”  Greg (Tribal Sessions)

“Well put together and thought out”  Danny Slade (Escape)

Press;

“It has really punchy beats, but is totally mellow in feel”  Fraser Latta (M8)

“A good tribal groove can be discovered at “Global Beats”, shimmering guitars, ol' skool funk chants, dark strings and shaking tambourine. “Neh" is nice tech-house with some Detroit influence. "WBE" steps back to the early days of techno with a heavy Sheffield feel that LFO fans will love. A new label that looks as though it knows what it likes and will put out the records they want to” Yogi Haughton (DJ Magazine)

“Soothing house beats, rhythm and synths making the tracks flow effortlessly into your mind” EW (Sound Nation)

“The warm maturity of tech-house, vocal samples recalling the funky heyday of disarming 70s disco-funk and lofty orchestrations containing violin sounds that cause electronic sublimity. higher in quality than most other genre offerings that flood the market.. “Neh” grabs more of the tech-house funk and comes up with another winner. “WBE” is the burner of the bunch, firing up a heavier bass and more prominent hi-hat prowess, with its exhilarating trumpet interlude.”
Bill Mahoney (Technopunkmusic.com)